Witches Abroad

Title: Witches Abroad
Author(s): Terry Pratchett
Release year: 1992
Publisher: Victor Gollancz

Why in Database: Another book (as you can guess from title, it’s from the series about witches) with small number of turtle elements. All three mentions are about A’Tuin, in one way or another. The first is a standard description:

This is the Discworld, which travels through space on the back of four elephants which themselves stand on the shell of Great A’Tuin, the sky turtle.
Once upon a time such a universe was considered unusual and, possibly, impossible.

Another description of the Disc:

Compared to all this, a large turtle with a world on its back is practically mundane. At least it doesn’t pretend it doesn’t exist, and no one on the Discworld ever tried to prove it didn’t exist in case they turned out to be right and found themselves suddenly floating in empty space.

The third and the last one does not mention A’Tuin directly but definitely refers to him:

Coiled as it was around the length of turtle-shaped space-time known as the Discworld, the story shook. One broken end flapped loose and flailed through the night, trying to find any sequence to feed on…


Author: XYuriTT

Reaper man

Title: Reaper man
Author(s): Terry Pratchett
Release year: 1991
Publisher: Victor Gollancz

Why in Database: Another book with a few turtle mentions, mostly A’Tuin. We show all three fragments about him below:

Except on the Discworld, which is flat and supported on the backs of four elephants which travel through space on the shell of Great A’Tuin, the world turtle.

One said, Very well. Where is this place?
One said, It is the Discworld. It rides through space on the back of a giant turtle.
One said, Oh, one of that sort. I hate them.

It is hard to fathom the thoughts of a creature so big that, in real space, his length would be measured only in terms of the speed of light. But he turned his enormous bulk and, with eyes that stars could be lost in, sought among the myriad worlds for a flat one.
On the back of a turtle. The Discworld—world and mirror of worlds.
It sounded interesting. And, in his prison of a billion years, Azrael was bored.

Additionally, due to certain events and decisions, each “kind” of living creatures got their own “personification” of death, including, of course, turtles:

Over the desert a dark and empty shell moved purposefully, half an inch above the ground…the Death of Tortoises.


Author: XYuriTT

Moving Pictures

Title:
Author(s): Terry Pratchett
Release year: 1990
Publisher: Victor Gollancz / Corgi

Why in Database: Another book with some small turtle mentions, first two are about A’Tuin and third one is more neutral-comparative. First, the standard description of the Discworld with mentioning of A’Tuin:

And against the wash of stars a nebula hangs, vast and black, one red giant gleaming like the madness of gods…
And then the gleam is seen as the glint in a giant eye and it is eclipsed by the blink of an eyelid and the darkness moves a flipper and Great A’Tuin, star turtle, swims onward through the void.
On its back, four giant elephants. On their shoulders, rimmed with water, glittering under its tiny orbiting sunlet, spinning majestically around the mountains at its frozen Hub, lies the Discworld, world and mirror of worlds.

The second mention is also about A’Tuin:

Several thousand miles under Silverfish, Great A’Tuin the world turtle sculled dreamily on through the starry night.
Reality is a curve.
That’s not the problem. The problem is that there isn’t as much as there should be.

The third and last is a typical comparison about someones appearance:

The Chair’s face creased in panic behind his false real beard. “You don’t think they’ve invited the Archchancellor, do you?”
The wizards tried to shrink inside their robes, like upright turtles.


Author: XYuriTT

Eric

Title: Faust Eric
Author(s): Terry Pratchett
Release year: 1990
Publisher: Victor Gollancz / Corgi

Why in Database: Another (shorter than most) discworld book, with three turtle mentions, all about A’Tuin. The first one takes place on the title page, where the place (address) of the action is given (you can see it in the picture below, in the illustrated version the font of this fragment differs from the rest of the text). Second mention is typical description of A’Tuin. In the third fragmente Rincewind wonders “how it all came into being. ” This book is shorter, but in the original version (because “the text itself” was also published), it is illustrated! And in the graphics, A’tuin appears two times.

On top of Great A’tuin

Below, harshly lit in the arid vacuum of space, Great A’Tuin the world turtle toiled under the weight of Creation. On his—or her, the matter had never really been resolved—carapace the four giant elephants strained to support the Disc itself.

Rincewind had wondered how it had all started. He’d imagined a sort of explosion in reverse, with interstellar gases roaring together to form Great A’Tuin, or at least a roll of thunder or something.



Author: XYuriTT

Guards! Guards!

Title: Guards! Guards!
Author(s): Terry Pratchett
Release year: 1989
Publisher: Gollancz

Why in Database: Another book from Discworld, the first in a series about the City Guard. This book is definitely less turtle. The first reference to turtles appears in one of the footnotes:

A figgin is defined in the Dictionary of Bye-Watering Words as ‘a small short-crust pasty containing raisins’. The Dictionary would have been invaluable for the Supreme Grand Master when he thought up the Society’s oaths, since it also includes welchet Ca type of waistcoat worn by certain clock-makers’), gaskin Ca shy, grey-brown bird of the coot family’), and moules (‘a game of skill and dexterity, involving tortoises’).

The next two are standard, about A’Tuin. The first is about his journey, the second is a description of the disc itself (not like usually, at the beginning, but this time, at the very end of the book):

It was the “eventually” that was the problem. Eventually Great A ’Tuin would reach the end of the universe. Eventually the stars would go out. Eventually Nobby might have a bath, although that would probably involve a radical re-thinking of the nature of Time.

Let the eye of attention pull back…
This is the Disc, world and mirror of worlds, borne through space on the back of four giant elephants who stand on the back of Great A ’Tuin the Sky Turtle. Around the Rim of this world the ocean pours off endlessly into the night. At its Hub rises the ten-mile spike of the Cori Celesti, on whose glittering summit the gods play games with the fates of men…


Author: XYuriTT

Pyramids

Title:Pyramids
Author(s): Terry Pratchett
Release year: 1989
Publisher: Gollancz

Why in Database: Pyramids is the seventh book in the Discworld series, and the second (after the Small Gods) book in this series in terms of the intensity of the turtle elements. And since every fragment is important and they are long, we show them all. Pretty standard, at first, A’Tuin:

For, as the world tumbles lazily, it is revealed as the Discworld—flat, circular, and carried through space on the back of four elephants who stand on the back of Great A’tuin, the only turtle ever to feature on the Hertzsprung-Russell Diagram, a turtle ten thousand miles long, dusted with the frost of dead comets, meteor-pocked, albedo-eyed. No one knows the reason for all this, but it is probably quantum.
Much that is weird could happen on a world on the back of a turtle like that.

The next two mentions (they appear separately) are a kind of introduction to long passages present later in the book:

The energy streaming up from their paracosmic peaks may, in chapters to come, illuminate many mysteries: why tortoises hate philosophy, why too much religion is bad for goats, and what it is that handmaidens actually do.

But that was an old dream, he dreamed that one nearly every night… And then there was a man firing arrows at a tortoise…

The first of the long turtle fragments, well answering the question why turtles does not like (some) philosophers (it is also a reference to paradox of Achilles and the Tortoise):

Teppic conceded this, rather reluctantly, and eased himself cautiously up the sliding surface of the dune. The voices were arguing again:
“Give in?”
“We simply haven’t got all the parameters right.”
“I know what we haven’t got all right.”
“What is that, pray?”
“We haven’t got anymore bloody tortoises. That’s what we haven’t got.”
Teppic carefully poked his head over the top of the dune. He saw a large cleared area, surrounded by complicated ranks of markers and flags. There were one or two buildings in it, mostly consisting of cages, and several other intricate constructions he could not recognize. In the middle of it all were two men—one small, fat and florid, the other tall and willowy and with an indefinable air of authority. They were wearing sheets. Clustered around them, and not wearing very much at all, was a group of slaves. One of them was holding a bow.
Several of them were holding tortoises on sticks. They looked a bit pathetic, like tortoise lollies.
“Anyway, it’s cruel,” said the tall man. “Poor little things. They look so sad with their little legs waggling.”
“It’s logically impossible for the arrow to hit them!” The fat man threw up his hands. “It shouldn’t do it! You must be giving me the wrong type of tortoise,” he added accusingly. “We ought to try again with faster tortoises.”
“Or slower arrows?”
“Possibly, possibly.”
Teppic was aware of a faint scuffling by his chin. There was a small tortoise scurrying past him. It had several ricochet marks on its shell.
“We’ll have one last try,” said the fat man. He turned to the slaves. “You lot—go and find that tortoise.”
The little reptile gave Teppic a look of mingled pleading and hope. He stared at it, and then lifted it up carefully and tucked it behind a rock.
He slid back down the dune to Ptraci.
“There’s something really weird going on over there,” he said. “They’re
shooting tortoises.”
“Why?”
“Search me. They seem to think the tortoise ought to be able to run away.”
“What, from an arrow?”
“Like I said. Really weird. You stay here. I’ll whistle if it’s safe to follow me.”

The topic of what these philosophers actually do is expanded:

“Xeno’s the name,” gasped the fat man, before he could speak. “Are you hurt? We did put up warning signs, I’m sure. Did you come in over the desert? You must be thirsty. Would you like a drink? Who are you? You haven’t seen a tortoise up there, have you? Damned fast things, go like greased thunderbolts, there’s no stopping the little buggers.”
Teppic deflated again.
“Tortoises?” he said. “Are we talking about those, you know, stones on legs?”
“That’s right, that’s right,” said Xeno. “Take your eyes off them for a second, and vazoom!”
“Vazoom?” said Teppic. He knew about tortoises. There were tortoises in the Old Kingdom. They could be called a lot of things—vegetarians, patient, thoughtful, even extremely diligent and persistent sex-maniacs—but never, up until now, fast. Fast was a word particularly associated with tortoises because they were not it.
“Are you sure?” he said.
“Fastest animal on the face of the Disc, your common tortoise,” said Xeno, but he had the grace to look shifty. “Logically, that is,” he added.*.
The tall man gave Teppic a nod.
“Take no notice of him, boy,” he said. “He’s just covering himself because of the accident last week.”
“The tortoise did beat the hare,” said Xeno sulkily.
“The hare was dead, Xeno,” said the tall man patiently. “Because you shot it.”
“I was aiming at the tortoise. You know, trying to combine two experiments, cut down on expensive research time, make full use of available—” Xeno gestured with the bow, which now had another arrow in it.
“Excuse me,” said Teppic. “Could you put it down a minute? Me and my friend have come a long way and it would be nice not to be shot at again.”
These two seem harmless, he thought, and almost believed it.
He whistled. On cue, Ptraci came around the dune, leading You Bastard. Teppic doubted the capability of her costume to hold any pockets whatsoever, but she seemed to have been able to repair her make-up, re-kohl her eyes and put up her hair. She undulated toward the group like a snake in a skid, determined to hit the strangers with the full force of her personality. She was also holding something in her other hand.
“She’s found the tortoise!” said Xeno. “Well done!”
The reptile shot back into its shell. Ptraci glared. She didn’t have much in the world except herself, and didn’t like to be hailed as a mere holder of testudinoids.
The tall man sighed. “You know, Xeno,” he said, “I can’t help thinking you’ve got the wrong end of the stick with this whole tortoise-and-arrow business.”
The little man glared at him.
“The trouble with you, Ibid,” he said, “is that you think you’re the biggest bloody authority on everything.”

There is also a scene in which someone takes care of the turtle:

Ptraci sat under the tree, feeding the tortoise on vine leaves.

Further attempts to explain the “experiment”:

“But I still don’t understand about the tortoise,” he said, with some difficulty. He’d just taken his first mouthful of Ephebian wine, and it had apparently varnished the back of his throat.
“’S quite simple,” said Xeno. “Look, let’s say this olive stone is the arrow and this, and this—” he cast around aimlessly—“and this stunned seagull is the tortoise, right? Now, when you fire the arrow it goes from here to the seag—the tortoise, am I right?”
“I suppose so, but—”
“But, by this time, the seagu—the tortoise has moved on a bit, hasn’t he? Am I right?”
“I suppose so,” said Teppic, helplessly. Xeno gave him a look of triumph.
“So the arrow has to go a bit further, doesn’t it, to where the tortoise is now. Meanwhile the tortoise has flow—moved on, not much, I’ll grant you, but it doesn’t have to be much. Am I right? So the arrow has a bit further to go, but the point is that by the time it gets to where the tortoise is now the tortoise isn’t there. So, if the tortoise keeps moving, the arrow will never hit it. It’ll keep getting closer and closer but never hit it. QED.”
“Are you right?” said Teppic automatically.
“No,” said Ibid coldly. “There’s a dozen tortoise kebabs to prove him wrong. The trouble with my friend here is that he doesn’t know the difference between a postulate and a metaphor of human existence. Or a hole in the ground.”

Ptraci still takes care for the turtle:

“There is that,” Xeno agreed. “Especially for dead people.”There was an embarrassed silence, broken only by Ptraci’s voice singing to the tortoise and the occasional squeak of stricken seagulls.

An interesting fragment, because it can be considered a kind of preview of another turtle book from Discworld, Small Gods:

He found Ptraci sitting on the grass under a poplar tree, feeding the tortoise. He gave it a suspicious look, in case it was a god trying it on. It did not look like a god. If it was a god, it was putting on an incredibly good act.
She was feeding it a lettuce leaf.
“Dear little tortoise,” she said, and then looked up. “Oh, it’s you,” she said flatly.

A turtle related comparison:

Gern’s biceps moved like turtles in grease.


Author: XYuriTT

Wyrd Sisters

Title: Wyrd Sisters
Author(s): Terry Pratchett
Release year: 1988
Publisher: Victor Gollancz

Why in Database: In the sixth book of the Discworld, turtles appear three times, each time in the form of a different reference. The first is the most standard, about A’Tuin:

Through the fathomless deeps of space swims the star turtle Great A’Tuin, bearing on its back the four giant elephants who carry on their shoulders the mass of the Discworld. A tiny sun and moon spin around them, on a complicated orbit to induce seasons, so probably nowhere else in the multiverse is it sometimes necessary for an elephant to cock a leg to allow the sun to go past.

Second mention is a turtle which Magrat took/bought as her pet:

“That makes fifteen this year,” said Granny. “Not counting the horse. What’s this one?”
“It’s a rock,” chuckled Nanny Ogg.
“Well, at least it should last,” said Granny.
The rock extended a head and gave her a look of mild amusement.
“It’s a tortoise,” said Magrat. “I bought it down in Sheep-ridge market. It’s incredibly old and knows many secrets, the man said.”
“I know that man,” said Granny. “He’s the one who sells goldfish that tarnish after a day or two.”
“Anyway, I shall call him Lightfoot,” said Magrat, her voice warm with defiance. “I can if I want.”

The third and last reference is a scenic one, a turtle appears in a military-combat context when staging a theater play:

“Thou babblest, man. See how I dodge thy tortoise spear. I said, see how I dodge thy tortoise spear. Thy spear, man. You’re holding it in thy bloody hand, for goodness’ sake.”


Author: XYuriTT

Sourcery

Title: Sourcery
Author(s): Terry Pratchett
Release year: 1988
Publisher: Victor Gollancz in association with Colin Smythe

Why in Database: Typically, in Sourcery, as in the previous four volumes of Discworld, we have several turtle elements, all of them we describes below. At the beginning we have some informaton about how discworld looks like, and of course a description of A’Tuin:

There was no analogy for the way in which Great A’Tuin the world turtle moved against the galactic night. When you are ten thousand miles long, your shell pocked with meteor craters and frosted with comet ice, there is absolutely nothing you can realistically be like except yourself.
So Great A’Tuin swam slowly through the interstellar deeps like the largest turtle there has ever been, carrying on its carapace the four huge elephants that bore on their backs the vast, glittering waterfall-fringed circle of the Discworld, which exists either because of some impossible blip on the curve of probability or because the gods enjoy a joke as much as anyone.

Later, A’Tuin is also mentioned as a possible cause of Discworld trembling:

“I’m sure I felt the building shaking, too,” said Rincewind, a shade uncertainly. Here in this quiet room, with the fire crackling in the grate, it didn’t seem quite so real.
“A passing tremor. Great A’Tuin hiccuping, um, possibly.”

In one of the footnotes (in which Pratchett’s books are rich) there is an unusual description of the Chimera:

It hath thee legges of a mermade, the hair of a tortoyse, thee teethe of a fowle, and the wings of a snake. Of course I have only my worde for it, thee beast having the breathe of a furnace and the temperament of a rubber balloon in a hurricane.

The Discworld is not all about A’Tuin, we also have here a mention of ordinary turtles, escaping from luggage:

Down below the panic on the roads the Luggage paddled slowly up one of the reed-lined drainage ditches. A little way ahead of it a moving wave of small alligators, rats and snapping turtles was pouring out of the water and scrambling frantically up the bank, propelled by some vague but absolutely accurate animal instinct.

Towards the end, a single mention of A’Tuin appears again:

He jerked to his feet again and strode to the simulacrum of the world. The image was perfect in every detail, down to a ghost of Great A’Tuin paddling slowly through the interstellar deeps a few inches above the floor.


Author: XYuriTT

Mort

Title: Mort
Author(s): Terry Pratchett
Release year: 1987
Publisher: Victor Gollancz in association with Colin Smythe

Why in Database: In the fourth book of the Discworld series, the turtle motif appears six times, once in the form of a reference to ordinary turtles and five times in the form of references to A’Tuin.
The first two references are at the very beginning, during describing the key character of this book, Death:

But not any Death. This is the Death whose particular sphere of operations is, well, not a sphere at all, but the Discworld, which is flat and rides on the back of four giant elephants who stand on the shell of the enormous star turtle Great A’Tuin, and which is bounded by a waterfall that cascades endlessly into space.

The steady gaze from those twinkling eye sockets encompasses the world turtle, sculling through the deeps of space, carapace scarred by comets and pitted by meteors. One day even Great A’Tuin will die, Death knows; now, that would be a challenge.

Next turtle reference is non-A’Tuin, it is in the description of Princess Keli’s actions:

She took a chicken leg from the table in the biggest kitchen, a cavern lined with so many pots that by the light of its fires it looked like an armory for tortoises, and felt the unfamiliar thrill of theft.

In the next reference, Mort is compared to A’Tuin by the narrator:

Mort didn’t return it. Instead he turned and plodded towards the door, at a general speed and gait that made Great A’Tuin look like a spring lamb.

The last two turtles are also about the Mort, in the first he explains to Albert what he knows about the construction of the discworld, in the second he visits Death’s office:

“I know the Disc is carried through space on the backs of four elephants that stand on the shell of Great A’Tuin,” said Mort.

He turned on his heel and stalked back into Death’s study. There was a large disc of the world in one corner, complete down to solid silver elephants standing on the back of a Great A’Tuin cast in bronze and more than a meter long.

Author: XYuriTT

Equal Rites

Title: Equal Rites
Author(s): Terry Pratchett
Release year: 1987
Publisher: Victor Gollancz in association with Colin Smythe

Why in Database: As will be the case many times with the discworld books, A’tuin appears right at the beginning, with an interesting reference to Star Wars:

Then it comes into view overhead, bigger than the biggest, most unpleasantly armed starcruiser in the imagination of a three-ring filmmaker: a turtle, ten thousand miles long. It is Great A’Tuin, one of the rare astrochelonians from a universe where things are less as they are and more like people imagine them to be, and it carries on its meteor-pocked shell four giant elephants who bear on their enormous shoulders the great round wheel of the Discworld.

Another mention of A’Tuin:

That wasn’t poetic imagery but plain fact, since the world was quite definitely flat and was, furthermore, known to be carried through space on the backs of four elephants that in turn stood on the shell of Great A’Tuin, the Great Sky Turtle.

For a change, turtle mention is more neutral – it is about fact, that the quilt does not look like a quilt:

(…) since he wasn’t much good at sewing either, the result was a rather strange lumpy thing more like a flat tortoise than a quilt (…)

Later, A’tuin appears again, in the form of an illumination/projection that is created by one of the heroes, at the university:

That was quite clear, although the glitter and rush of the little lights blurred some of the detail. But there was Great A’Tuin the sky turtle, with the four Elephants on its back, and on them the Disc itself. There was the sparkle of the great waterfall around the edge of the world, and there at the very hub a tiny needle of rock that was the great mountain Cori Celesti, where the gods lived.

Once again, A’tuin is mentioned when Esk wanders out of her body and wonders whether or not to borrow a great turtle’s mind (Granny Weatherwax taught her the ability to borrow animal minds), but she decides, that it’s a bad idea:

It also lit up Great A’Tuin the World Turtle. Esk had often wondered if the Turtle was really a myth. It seemed a lot of trouble to go to just to move a world. But there It was, almost as big as the Disc It carried, frosted with stardust and pocked with meteor craters.
Its head passed in front of her and she looked directly into an eye big enough to float all the fleets in the world. She had heard it said that if you could look far enough into the direction that Great A’Tuin was staring, you would see the end of the universe. Maybe it was just the set of Its beak, but Great A’Tuin looked vaguely hopeful, even optimistic. Perhaps the end of everything wasn’t as bad as all that.
Dreamlike, she reached out and tried to Borrow the biggest mind in the universe.
She stopped herself just in time, like a child with a toy toboggan who expected a little gentle slope and suddenly looks out of the magnificent mountains, snow-covered, stretching into the icefields of infinity. No one would ever Borrow that mind, it would be like trying to drink all the sea. The thoughts that moved through it were as big and as slow as glaciers.

The last mention is when the main character is in other dimension than the discworld, and there she sees the entire discworld with A’Tuin, etc., locked in a glass pyramid:

He was holding a small glass pyramid. There were stars in it, and occasionally he would give it a little shake so that the stars swirled up like snow in the wind, and then settled back in their places. Then he would giggle.
And beyond the stars…
It was the Discworld. A Great A’Tuin no bigger than a small saucer toiled along under a world that looked like the work of an obsessive jeweler.

Jak widać, jest parę wzmianek o żółwiu, choć mniej niż w poprzednich tomach, gdzie jego natura była bardziej przybliżona.

Author: XYuriTT